Why KAWS’s Global Success May Well Be a Symptom of a Depressed Culture, Adrift in Nostalgia and Retail Therapy
The Brooklyn Museum show, “KAWS: What Party,” does a good job taking KAWS seriously but not too seriously. They could have wasted a lot more time making overblown claims about the work’s profundity to try to justify its significance before the gaze of skeptics like myself. They don’t. It’s a show for the fans—the many, […]